PUBLICATIONS
Roulstone, K (2012) Foreword to exhibition catalogue for solo exhibition Transpositions for artist Deborah Robinson, Peninsular Arts Gallery, Plymouth (April).
Roulstone, K (2012) Foreword to artist book (photo book) by Andy Klunder Somewhere other than here.
Roulstone, K (2008) (chapter in edited book) “Rethinking Absence: feminist legacies, critical possibilities” in Kokoli, A., (ed) Feminism Reframed: Reflections on Art and Difference, Cambridge Scholars Publishing. ISBN 1-84718-405-7. (pp. 86-106).
Roulstone, K (2007) (book review) Encountering Eva Hesse (eds) Pollock, G., & Corby, V., in the Artbook (February).
Roulstone, K (2006) (book review) Thinking Through Art (eds) Macleod, K., & Holdridge, L., in Parachute 122, Issue: Work: Travail, Montreal, Canada (April)
Roulstone, K (2005) (contributor) women artist biographies for The Oxford Companion to the Photograph, Oxford University Press, UK.
Roulstone, K (2001) (exhibition review) “The Taxonomy of Mortality” an exhibition review of The Final Sleep/Le Dernier Sommeil an installation by Canadian artist Spring Hurlbut at The Institute of
Contemporary Culture, The Royal Ontario Museum (curator Elizabeth McLuhan) in C International Contemporary Art Magazine, Canada (Sept).
Roulstone, K (1997) (article) “The Relics of Romance: Uncovering The Wunderkammer” in Inversions, Mentoring Artists Women’s Art, Manitoba, Canada.
Roulstone, K (1995) (exhibition review) “Picture This: Archaeological Fragments From Heaven” Toronto artist Stacey Lancaster, YYZ Gallery, Toronto) in Matriart, Volume 5/number 2, Toronto, Canada.
CATALOGUES
2016 Catalogue: 248th Royal Academy Summer Show, RA London
2014 Catalogue: John Moores Painting Prize, Liverpool Biennial.
2012 Catalogue: Transient Luminous, Berlin, Germany with catalogue forward by art critic Peter Suchin: The Glow of Time. Karen Roulstone’s Transient Luminous. ©2012 Published by John De Jesus, Coach House Press, Toronto, Canada.
1999 Catalogue: Dinove Print Internacional de Cadaques, Spain (1999).
REVIEWS: newspaper, TV, Radio & online
2017 Maloney, Austin “Now I Wanna Be Your Dog” Totally Galway, http://www.e-magin.se/latestpaper/18jzg66h/paper (March 2017)
2017 Andrews, Kernan, “The Difference Between Dog & Wolf”, The Galway Advertiser http://www.advertiser.ie/galway/article/90269/the-differences-between-dog-and-wolf 06/02/17
2016 BBC2 The Royal Academy Summer Exhibition 2016, presented by Kristy Wark and Morgan Quaintance (04/06/16) http://www.bbc.co.uk/programmes/articles/JtW1WN7SrctP3RF9sK7qQ8/the-royal-academy-summer-exhibition-sees-double-for-the-first-time
2016 Campbell-Johnston, Rachel, First Night Review, Royal Academy, Summer Exhibition, W1 in The Times (07/06/16)
2016 Hudson, Mark, Royal Academy Summer Exhibition, review: ‘electric, whimsical chaos’ in The Telegraph (08/06/16)
2016 Ellis-Petersen, Connolly, Kate, Willsher, Kim, Double vision: the artist duos who think as one in The Guardian (03/06/16) https://www.theguardian.com/artanddesign/2016/jun/03/double-vision-artist-duos-2016-summer-exhibition-royal-academy
2016 Sadler, Victoria, Review: Summer Exhibition 2016, Royal Academy of Arts in the Huffington Post (08/06/16)
2016 Luke, Ben, The Royal Academy’s Summer Exhibition 2016, review, ‘Not a patch on last year’s in the London Evening Standard (08/06/16)
2016 Wright, Karen, The Royal Academy Exhibition, review: ‘Not enough courage in its own mission’ in The Independent (13/08/16)
2016 http://www.theupcoming.co.uk/2016/06/08/summer-exhibition-at-the-royal-academy-exhibition-review/
2015 Koszerek, Pippa Review of Plymouth Arts Weekender in Artist Newsletter https://www.a-n.co.uk/reviews/plymouth-art-weekender (19/10/15)
2014 Gibson, Sandra, “Shout”, John Moores Painting prize 2014 in Nerve, Promoting Grassroots arts & culture on Merseyside. www.catalystmedia.org.uk/reviews/john_moores_2014 (02/10/2014).
2014 BBC 4 The John Moores Painting Prize with Alexi Sayle (21/09/2014) (30 minutes). http://www.bbc.co.uk/programmes/b04jmvkl.
2014 Radio 4, Front Row, The John Moores Painting Prize 2014 (19/09/2014).
2014 Wullschlager, Jackie, Liverpool Biennial, UK — review “This year’s edition suffers from conceptual overload — but painting holds its own at the Walker” in the Financial Times, Visual Arts section (15/09/2014).
2014 Caddy, Katherine, Yorkshire Art Journal, Dialogue: Aspects of Liverpool Biennial (31/07/2014).
2014 Hudson, Mark, Liverpool Biennial 2014, review ‘one of Britain’s great art events’. “Liverpool’s city—wide contemporary art festival is more than the sum of its parts” in The Telegraph (07/07/2014).
2014 AXIS http://www.axisweb.org/features/news—and—views/in—focus/john—moores-painting—prize—2014.
2013 Michaela Nolte, After Image, UK Trifft Berlin, art review, “Kunststücke.” Tagesspiegel, Berlin, Germany)
2002 Robert Reid, “Artist sets focus past (or before) what we see”, The Record (11/09/2002).
2002 Live radio interview with Mary Lou Shaganagh Monday Night on The Arts on show 2002 Reconfiguring Absence at Wilfrid Laurier University, Waterloo (02/09/2002).
2001 Dierdre Hanna, “Prime Project, Artists@Project” Now Magazine, Toronto (15/07/01).
2001 “The List: Project: 10 ^ prime prime Canadian Art, Toronto (07/2001).
2001 Gary Michael Dault, “4 Women, 9 Paintings, at Tableau Vivant”, The Globe and Mail (10/2001).
1998 Betty Ann Jordan/Gillian Mackay “Glo Show at Archive”, The Globe and Mail, Toronto, (3/01/1998).